It may be important to note that the theatre was a far more powerful cultural force in Rousseau's day than today. And indeed, Rousseau does seem to have recovered his peace of mind in his last years, when he was once again afforded refuge on the estates of great French noblemen, first the Prince de Conti and then the Marquis de Girardin, in whose park at Ermenonville he died. Rousseau; D'Alembert; Habitants de Genve; Les Montagnards; Rsum. creating and saving your own notes as you read. Save over 50% with a SparkNotes PLUS Annual Plan! How she smirched their marriage-tie?/ How could I, by disclosing everything,/ Humiliate my father and my king?Footnote37 Later, Theseus expresses regret for the hasty and ill-considered judgement and punishment when, learning of the true worth of the son he had so recently reviled, he laments: O bring me back my son, and let him clear/ His name! Spirit, 4.8, 41; Spirit, 19.5, 310. It may be considered to portray Rousseau's vanity, narcissism and biases, but the text could also be thought of more positively; as expressive, lyrical and austere. His Government of Poland and Constitutional Project for Corsica offer practical proposals for political reform in his time. Although he debated extensively with critics of his earlier work, First Discourse, Rousseau never mailed his replies to the major critics of Discourse on Inequality, Charles Bonnet (writing as Philopolis) and Charles Le Roy (writing as Buffon). Rousseau was the eighteenth-century's greateast admirer, even idolator, of Sparta. Geneva, which already has a large degree of inequality, does not need any more. His father, Isaac Rousseau, was a watchmaker. Discourse on Inequality was completed in May 1754, and published in 1755. 51 Muralt's name does not appear in indexes of Montesquieu's works, including the Penses; neither does it appear in Catalogue de la bibliothque de Montesquieu la Brede, edited by Louis Desgraves (Geneva, 1954) nor in Robert Shackleton, Montesquieu: A Critical Biography (Oxford, 1961). Careful consideration of Rousseau's Letter in light of Montesquieu's Persian Letters and Spirit of the Laws reveals a much more pervasive influence, however. He explains that he terms prejudices not what makes one unaware of certain things but what makes one unaware of oneself.Footnote44 Through our feelingsthat is, through emotional responses to the actions on stage, the theatre reminds people that despite their integration into societies sustained by a multiplicity of political, civil, and religious codes, a natural human core still remains. Alternate titles: Lettre dAlembert sur les spectacles, Letter to Monsieur dAlembert on the Theatre, Jean-Jacques Rousseau: Years of seclusion and exile of Jean-Jacques Rousseau. He also wrote Rousseau juge de Jean-Jacques (1780; Rousseau, Judge of Jean-Jacques) to reply to specific charges by his enemies and Les Rveries du promeneur solitaire (1782; Reveries of the Solitary Walker), one of the most moving of his books, in which the intense passion of his earlier writings gives way to a gentle lyricism and serenity. 33 See, for example, Michael Zuckert, Natural Rights and Modern Constitutionalism, Northwestern University Journal of International Human Rights, 2 (2004), 42-66 (4546, 52). Spectacles and Sociability: Rousseau's R . 2. by Alan Bloom (Ithaca: Cornell University Press, 1968) [First published by Agora Editions, 1960]. For a more comprehensive discussion of Rousseau's relationship to Muralt, see Kapossy, Iselin contra Rousseau, 3976; Charles Gould, Introduction, in Muralt, Lettres, 997 (8795). Baron dtange, Julies father, has indeed promised her to a fellow nobleman named Wolmar. At the same time the book sets out to explore the possibilities of an education for republican citizenship. Jean-Jacques Rousseau's passionate attack on inequalities political, social, and economic, his critique of reigning governments in the name of democracy, and his questioning of the authority of science or philosophy in defense of moral virtue shook the century of Enlightenment and the aftershocks are still felt today. We are also grateful to Robert Devigne, Dennis Rasmussen, and the anonymous reviewers of History of European Ideas for their helpful comments on earlier drafts. Montesquieu's description of a gentle and joyful societal existence could very well foster admiration beyond the borders of France, and thus spread the very mores from which Rousseau endeavours to protect Geneva. Rousseau remains resolutely opposed to the theatre in Geneva, however. This extension of the empire of women is against natural order. If you don't see it, please check your spam folder. marriage for financial reasons, order, lust, convenience). The Enlightenment was a diverse movement, represented in France by writers such as Voltaire, Diderot and the authors of the Encyclopdie. Youve successfully purchased a group discount. During the controversy d'Alembert abandoned the editorship of l'Encyclopdie. For example, Rousseau in his Letter both adopts and adapts salient elements of Montesquieu's juxtaposition of French and English societies in Book 19. He argues that the presence and authority of women in public spaces corrupts the male youth, turning them effeminate and void of patriotic passion. Summary. The best alternative to theatres is open-air festivals, in nature, to provide a unifying, patriotic spirit. As David Marshall points out, Rousseau explores throughout his works, and most explicitly in the Letter, theatrical relations enacted outside as well as inside the playhouse by people who face each other as actors and spectators. . Therefore, theatres are of little use. Omissions? See Bat Louis de Muralt, Lettres sur les Anglois et les Franais et sur les voiages, edited by Charles Gould (Geneva, 1974), 244: Ici les Raports vont l'Homme, mais le but du Dramatique, tant uniquement de nous donner du plaisir, ces Raports ne sauroient avoir toute leur justesse, & dans le general, le Pote ne peut que leur faire violence pour les accommoder au got du Public. for a customized plan. The basic argument of the book, as Rousseau himself expressed it, is that vice and error, which are alien to a childs original nature, are introduced by external agencies, so that the work of a tutor must always be directed to counteracting those forces by manipulating pressures that will work with nature and not against it. His death caused a great outpouring of sentiment amongst his many readers and admirers. But sometimes human beings forget themselves and their natural feelings. was "ironic" and even "illogical" given Rousseau's otherwise egalitarian principles; indeed, if taken to their logical conclusion, Rousseau's ideas on women made "utter non-sense" of his whole political philosophy. Thanks for creating a SparkNotes account! 5 D'Alembert, Geneva, in Letter, 243. Later Rousseau states that [t]he necessary relations between morals and government have been so well expounded in Spirit that one can do no better than have recourse to this work to study these relations; see Jean-Jacques Rousseau, Emile or On Education, translated by Allan Bloom (New York, NY, 1979, Book 5, 458, 468. His thought marked the end of the . They eventually became lovers, and des Warens persuaded him to convert to Catholicism. Your subscription will continue automatically once the free trial period is over. Discourse on Inequalitymay not have impressed the judges from the Dijon academy, but it nevertheless won a great following. Once again, the morality of Ancient Rome and Greece is frequently referenced as an ideal that should be aspired to. Summary. Continue to start your free trial. He propelled political and ethical thinking into new channels. By the time his Lettre dAlembert sur les spectacles (1758; Letter to Monsieur dAlembert on the Theatre) appeared in print, Rousseau had already left Paris to pursue a life closer to nature on the country estate of his friend Mme dpinay near Montmorency. Writing to Gilbert Imlay from France in 1784, she contemplated buying their daughter a sash "to honour J. J. Rousseau and why not?for I have always been half in love with him." 1 Half in love, indeed - and half infuriated. The Confessions used is the Gamier edition (Paris, n.d.). Ultimately, Rousseau seeks this engagement with Montesquieu's images, claims, and teachings as a result of his political goal of preserving the mores and customs of Geneva. For example, he writes: les Hommes donnent trop dans la Bagatelle & ne sont pas asss Hommes, les femmes ont trop de Hardiesse & ne sont pas asss Femmes. [2], The theatre in relation to what is performed in it, The theatre considered in relation to the stage and actors, Last edited on 23 February 2019, at 20:12, https://en.wikipedia.org/w/index.php?title=Letter_to_M._D%27Alembert_on_Spectacles&oldid=884754743, This page was last edited on 23 February 2019, at 20:12. 15 For a fuller discussion, see Thomas, Negotiating Taste in Montesquieu, 7172. -36:18. Nevertheless, Montesquieu's pleasing depiction of polite French society and his praise of theatre's support for natural morality could very well abet that transmission which Rousseau resists. For Montesquieu, this appeal to natural morality is why viewers find the play such a moving and pleasurable an experience. [4], Even if the theatre is morally innocuous, Rousseau argues, its presence is disruptive to potentially productive use of time. Ourida Mostefai offers the most current and exhaustive treatment of the letter and its context that we know, while Patrick Coleman presents a highly instructive and provocative textual analysis that explores among other themes the manner in which Rousseau offers himself as an actor and his text as his own public stage; see Ourida Mostefai, Le citoyen de Genve et la Rpublique des Lettres: tude de la controverse autour de La Lettre d'Alembert de Jean-Jacques Rousseau (New York, NY, 2003); Patrick Coleman, Rousseau's Political Imagination: Rule and Representation in the Lettre d'Alembert (Geneva, 1984). Because that praise exemplifies so much of what was fundamental in Rousseau's thinking, both it and the Letter as a whole are mandatory reading for anyone who wishes to understand him. He considered women, by virtue of their nature, to be the primary agents of moral reform, and that the success of the state depends on the harmony within private, domestic life. Want 100 or more? Rousseau came under increasing attack, in print and in practice, from the French monarchy, Voltaire and many others. de Montesquieu rightly calls a fine law the one which excludes from public office the citizens who fail to pay their own debts or those of [their] fathers after their death.Footnote5, What d'Alembert intended as an encomium, Jean-Jacques Rousseau regarded as an outrage.Footnote6 In 1758 Rousseau penned an open letter to d'Alembert expressing his indignation at the essay's claims regarding his beloved birthplace. Her frustration with the lack of control she has over her passions drives her to perpetuate the calumny against Hippolytus so that he may be banished forever, and therefore beyond the reach of her uncontrollable lust. Cody Valdes provided perspicacious editorial assistance. Find many great new & used options and get the best deals for Music and the French Enlightenment: Rameau and the Philosophes in Dialogue by Cy at the best online prices at eBay! Use up and down arrows to review and enter to select. In 1758, Jean Le Rond d'Alembert proposed the public establishment of a theatre in Geneva - and Jean-Jacques Rousseau vigorously objected. Letter of M. d'Alembert to M. J. J. Rousseau ; "Response to the anonymous letter written by members of the legal profession" ; Letter from Julien-David Leroy to Rousseau ; From Rousseau to Leroy. 17 In his consideration of this aspect of Rousseau's argument, Coleman poses the question: Why England? Neither of Coleman's proposed responses include Rousseau's specific response to Montesquieu's Book 19; see Coleman, Rousseau's Political Imagination, 110. Corrections? Of course, none of this establishes that Montesquieu was not familiar with the work, given his wide reading and the work's wide circulation. Moreover, theatre is incompatible with the rural mindset, where people work hard, and as a result should find simple relaxation pleasurable, rather than the extravagant, over-stimulating entertainment which retards the imagination. Nonetheless, taken together, these apparently contrasting accounts reveal that Montesquieu sees value in the theatrical experience in its entirety. He had no formal education, but read widely in ancient and modern authors, inspired initially by his father's collection of books. Having long regarded Voltaire as an additional target of Rousseau's criticism in the Letter, the scholarship has largely ignored the extent to which Rousseau also engages with and responds to Montesquieu in this particular work. Of course, Montesquieu does not broach the specific issue that Rousseau considersthat is, the spread of the theatre in modern times into the small, virtuous mountainside republic. He concludes that as a result of his new reflections, he embraces a conclusion directly opposed to the one I drew from the first, namely, that when the people is corrupted, the theater is good for it, and bad for it when it is itself good.Footnote81 Rousseau reaches this conclusion immediately after he transmits, without naming his source, Montesquieu's description of French society: Rousseau allows the point that in certain places [the theatre] will be useful for attracting foreigners [utiles pour attirer les trangers],Footnote82 just as Montesquieu argues that the politeness of a society attracts foreigners to it [une politesse qui attire chez elle les trangers].Footnote83 Moreover, whereas Montesquieu declares that the society of women spoils mores and forms taste [la socit des femmes gte les murs, et forme le got],Footnote84 Rousseau admits that the theatre, where women are made the preceptors of the public,Footnote85 is useful for maintaining and perfecting taste [pour maintenir et perfectionner le got] when decency is lost.Footnote86 Rousseau yet again deploys Montesquieu's ideas when he says that a theatre can be useful for increasing the circulation of money [pour augmenter la circulation des espces], just as Montesquieu says that the prominent place of women and their tastes in society constantly increases the branches of commerce [on augmente sans cesse les branches de son commerce].Footnote87 Rousseau borrows and transmits all of these points of Montesquieu. At this time, Rousseau wants to serve that truth that contributes to the "public good," that is to say, to all individuals. Rousseau's word choice here is borrowed from Montesquieu, not Muralt. While Montesquieu lavishes distinct praise on a society that permits the formation of taste and promotes the gentleness that comes from commerce, understood both as economic and social exchange, Rousseau resists such influences. He writes that the actor is someone who is artificial, performs for money, subjects himself to disgrace, and abandons his role as a man. Rousseau is often characterized as the father of Romanticism, as he opposed modernity and the Enlightenment and glorified the heroic ethos of Ancient Rome and Greece. mile is a book that seems to appeal alternately to the republican ethic of The Social Contract and the aristocratic ethic of The New Eloise. Scholars have pointed to Montesquieu's influence on Rousseau's work generally. You are not required to obtain permission to reuse this article in part or whole. 2023 The Foundation for Constitutional Government Inc. All rights reserved. For example, d'Alembert selects for particular praise the type of welcome Geneva provided for Voltaire, recounting that the citizens of Geneva reveal their admirable sophistication by having provided haven for the beleaguered author and noting approvingly that these republicans bestowed on Voltaire the same marks of esteem and respect he has received from many monarchs.Footnote3 D'Alembert further observes with approbation that they now sanction in their environs the publishing of Voltaire's history, which condemns John Calvin for countenancing Michael Servetus's trial as a heretic within its walls and his burning just outside of them upon his conviction. The novel was clearly inspired by Rousseaus own curious relationshipat once passionate and platonicwith Sophie dHoudetot, a noblewoman who lived near him at Montmorency. Among them, Le Devin du village was the most popular French opera of the eighteenth . 66 For example: The English people think it is free. Emphasis added. Aspects of Rousseau's ideas from Discourse on Inequality, particularly his idea of a system of increasing needs that govern modern society are found in Hegel's account of civil society, and perhaps in Marx's idea of alienated labour. For example, in praising the exclusion of women from society, which Geneva with its lack of a theatre exhibits, Rousseau adduces the English, depicting them in terms very similar to Montesquieu's portrait of them in Book 19 of The Spirit of the Laws.Footnote17 Yet whereas Montesquieu's depiction of the dour and grave English is critical, Rousseau's is explicitly laudatory. In the process, he adopts Montesquieu's notion that the laws of a body politic must coincide with and be born from the mores and manners of that particular society. Purchasing Therefore, the substantial difference in their perspectives on theatre in France is that whereas Montesquieu identifies theatre as improving French morals and manners, Rousseau simply maintains that it can slow the rate of further debauchery. Rousseau's Depiction of the Theatre and his Unnamed References to Montesquieu in the, http://artflsrv02.uchicago.edu/cgi-bin/philologic/getobject.pl?c.4:599.encyclopedie0513, http://dictionnaire-montesquieu.ens-lyon.fr/index.php?id=436, http://ouclf.iuscomp.org/articles/montesquieu.shtml, Medicine, Dentistry, Nursing & Allied Health. Down below there is a crowd of people standing up, who make fun of those who are performing above, and they in turn laugh at those below.Footnote18, Eventually everyone goes off to a room where they act a special sort of play: it begins with bows and continues with embraces. Registered in England & Wales No. Muralt offers a similar critique in his comments on France. In it Rousseau speaks to . Marshall goes on to suggest that Rousseau's discussion of vanity, amour-propre, is inherently theatrical: the moment that people are aware they must present themselves for others, a theatrical consciousness is fostered such that the character and attributes that a person possesses become indistinguishable from what they seem to be.Footnote58 Rousseau laments that the introduction of theatre in an incorrupt society will induce people to substitute a theatrical jargon for the practice of the virtues.Footnote59 Of course, before Rousseau had offered this analysis, Montesquieu had comically depicted the tendency of social interactions to foster theatrical affectationseven theatrical masksin Rica's mistaken but understandable conflation of the actors and the audience in his description of the theatre in the Persian Letters. 3099067 Towards the end of the afternoon, everyone assembles and goes to perform in a sort of show [une espce de scne], called, so I have heard, a play [comdie]. Rousseau adhered to the belief that restrictions and censorship are often justified to maintain civil order. Letter 28 humorously depicts Rica conflating the actors and the audience of the scene he describes, thus confusing the spectacle on the stage with the spectacle of Parisian social life: Yesterday I saw something rather odd [assez singulire], although in Paris it happens every day. 54 Letter, 271. By entering your email address you agree to receive emails from SparkNotes and verify that you are over the age of 13. See, for example, Clifford Orwin, Rousseau's Socratism, The Journal of Politics, 60 (1998), 17487 (180); J. S. Maloy, The Very Order of Things: Rousseau's Tutorial Republicanism, Polity, 37 (2005), 23561 (24142); Eric Nelson, The Greek Tradition in Republican Thought (Cambridge, 2004). We use cookies to improve your website experience. Lettre d'Alembert de Rousseau. for a group? First, Montesquieu describes them as timide, a term which Rousseau adopts. Rousseau considers this play to be a work of genius, but it is, of course, morally backwards. 65 Letter, 311 (5: 74). He accepted the Scottish philosopher Hume's offer to take refuge in Britain, only to quarrel with Hume as well and soon return to France. You'll also receive an email with the link. They imagine that a foreigner who speaks to them is looking for a leg-over. In this different context religion plays a different role. Letter to M. D'Alembert on Spectacles (French: Lettre a M. d'Alembert sur les spectacles) is a 1758 essay written by Jean-Jacques Rousseau in opposition to an article published in the Encyclopdie by Jean d'Alembert, that proposed the establishment of a theatre in Geneva. Whereas Montesquieu and Rousseau speak of female society forming and perfecting taste, Muralt asserts that the subordination of the masculine to the feminine in society corrupts tastes: on se corrompt le got; see Muralt, Lettres, 246. 58 Marshall, Rousseau and the State of the Theater, in Rousseau: Critical Assessments, edited by Scott, IV, 13940. He first tries to sway Geneva away from the idea of theatre by suggesting that it is not economically feasible, and that the population is too low to support a theatre. The theme of The New Eloise provides a striking contrast to that of The Social Contract. ROUSSEAU Letter to M. d'Alembert on the Theatre}.-}.Rousseau, Citizen ofGeneva TO M. d'A1embert, of the French Academy, The Royal Academy of Sci ences ofParis, the Prussian Academy, the Royal Society ofLondon, the Royal Academy of Literature of Sweden, and the Institute of Bologna; On his article Geneva in the seventh volume of fEncyclopedie and Rousseaus essay critiqued the immorality of the Parisian theater and argued that a theater in Geneva would have a similarly corruptive effect on their society. Jean-Jacques Rousseau, (born June 28, 1712, Geneva, Switzerlanddied July 2, 1778, Ermenonville, France), Swiss-born philosopher, writer, and political theorist whose treatises and novels inspired the leaders of the French Revolution and the Romantic generation. On this topic, see Mosher, Judgmental Gaze of European Women, 25, 3336. In resisting such influence, Rousseau counters many of Montesquieu's specific arguments and judgements. They appreciate the routines of country life and enjoy the beauties of the Swiss and Savoyard Alps. This awareness of presenting oneself to be viewed and judged by others fosters politeness, manners, and the joie de vivre that Montesquieu speaks so highly of in France.Footnote64. Discourse on Inequality was completed in May 1754, and published in 1755. [5] As an alternative to the theatre, Rousseau proposed open-air republican festivals, with a rich community atmosphere. In addition, the very foundation of Rousseau's concern for Geneva has a basis in Montesquieu's thought. Rousseau writes that the theatre, at first glance, is a form of amusement. In Paris, as in Geneva, they ordered the book to be burned and the author arrested; all the Marchal de Luxembourg could do was to provide a carriage for Rousseau to escape from France. When Geneva was so threatened with the possibility of embracing such French mores, Rousseau engaged directly with the very authority whom d'Alembert invokes. Because Montesquieu understands women as the judges and bestowers of a man's honour, when women are placed in the public sphere, men adopt mannerisms and behaviour to win their approval.Footnote63 Thus, women enhance the theatricality of public life, putting men (and themselves) on display for each other. Rousseau rarely acknowledges the extent to which Montesquieu's writings influenced his political and moral thought, but study of his Letter reveals the great degree to which Rousseau builds his case from and in response to Montesquieu's observations and ideas. In October of 1758,Rousseau published theLetter to dAlembertto refuteJean dAlemberts suggestion that Geneva establish a public theater. Renew your subscription to regain access to all of our exclusive, ad-free study tools. [1], Rousseau believed that public morals could be created not by laws or punishment, but simply by women, who have access to their senses and largely control the way men think. See also Radica, Rousseau, in Dictionnaire lectronique Montesquieu, September 2013 edition, 7. Dieses exklusive Werk zusammen mit anderen einzigartigen kuratierten Kunstwerken finden Sie nur hier! Montesquieu broaches the possibility that drama itself can teach morality in The Spirit of the Laws in Book 25, one of two devoted to the subject of religion. The years at Montmorency had been the most productive of his literary career; The Social Contract, mile, and Julie; ou, la nouvelle Hlose (1761; Julie; or, The New Eloise) came out within 12 months, all three works of seminal importance. 6 Rousseau authored many of the entries related to music in the Encyclopdie as well as the article Economie, in Encyclopdie, ou dictionnaire raisonn des sciences, des arts et des mtiers, etc., edited by Denis Diderot and Jean-Baptiste le Rond d'Alembert; see University of Chicago, IL: ARTFL Encyclopdie Project (Spring 2013 Edition), edited by Robert Morrissey, http://artflsrv02.uchicago.edu/cgi-bin/philologic/getobject.pl?c.4:599.encyclopedie0513 [accessed 18 June 2014]. Mchten Sie Encyclopedie: Eruption of Mount Vesuvius in 1754; Copper engraving from: Diderot & d'Alembert 'Encyc kaufen? [7] With impartiality, he decided it fit for publication (he himself at one time worked as a censor). 20 Montesquieu, Persian Letters, letter 28, 79. Dartmouth College Press. Rousseau famously argued that the continued progress of the sciences and arts corrupted human morality, it would appear that Rousseau's view of a free society has little to do Abstract An analysis of Rousseau's cultural and artistic ideas, as taken from the famous Letter to d'Alembert on the Theater. He became friends with the Enlightenment figure Diderot, who commissioned him to write articles for the famous Encyclopdie. The French government ordered that Rousseau be arrested, so he fled to Neuchatel in Switzerland. In the guise of La Profession de foi du vicaire savoyard (1765; The Profession of Faith of a Savoyard Vicar) Rousseau sets out what may fairly be regarded as his own religious views, since that book confirms what he says on the subject in his private correspondence. For me, in the 'Letter to d'Alembert' Rousseau is on the side of prejudice, with his vehement moralising, and also a type of violence, always bordering on an exaggerated aggressiveness that is almost useless. 49 Bla Kapossy, Iselin contra Rousseau: Sociable Patriotism and the History of Mankind (Basel, 2006), 68. He continues that this French vivacity is corrected by the politeness it brings us, by inspiring us with a taste for the world and above all for commerce with women [commerce des femmes].Footnote24 He accepts the fact, apparently without regret, that the society of women spoils mores and forms taste [socit des femmes gte les murs, et forme le got]. Rousseau's letter was widely known in Europe. His reforms revolutionized taste, first in music, then in the other arts. 77 Rousseau proposes an alternative to the tribunal Louis XIV established to settle conflicts regarding honour without recourse to violence, which he argues would be much more effective as it would harness honour to quell the violence arising from perceived dishonour; see Letter, 6774. These seemingly fleeting references to this art form should not be overlooked as they clarify and expound upon fundamental aspects of his political theory. For example, Rousseau elaborates on the moral results of Muralt's claim that theatre perverts the relationship of things. Dans le Commerce continuel qu'il y a entre les deux Sexes, il se fait comme un change de Caractre, qui les fait un peu droger l'un & l'autre; see Muralt, Lettres, 229. To be a work of genius, but it is free expound upon fundamental aspects of his political theory in... Its entirety to Neuchatel in Switzerland as an ideal that should be aspired to women 25... Readers and admirers the new Eloise provides a striking contrast to that of Swiss... Inc. All rights reserved, Isaac Rousseau, was a far more powerful cultural force in:! Permission to reuse this article in part or whole for a leg-over Alan Bloom ( Ithaca: University... It May be important to note that the theatre in Geneva, however is borrowed from Montesquieu this. Inequality, does not need any more great following festivals, in Dictionnaire Montesquieu. Authors, inspired initially by his father 's collection of books French mores, Rousseau engaged directly the! ; Rsum, then in the theatrical experience in its entirety 1758, Rousseau and the of... Cultural force in Rousseau 's work generally is over dAlemberts suggestion that Geneva establish public! Publication ( he himself at one time worked as a censor ) Confessions is! 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